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"I specifically wanted to achieve the effect of a (soccer) football being caught by a goal net."

Since in comments you (finally!) unveiled your ultimate desire: 98įalling cube has also soft body enabled, with

soft body enabled with "default goal strength".

cloth enabled, pinned to the 4 corner vertices group.

Rigid bodies made the cloth stop the falling cube, but it seemed as their interaction was poor.Īlthough you didn't post any image, animation or example file, I hope now to understand what you wish, and have done another setup, but it does not use rigid bodies, it uses soft bodies:

set a ground plane, set a group with the 4 corner vertices, set plane to cloth, with pin to the above 4 vertices group, set also rigid body "passive", with a bit of bounciness, set collision shape to "mesh"Īs for comments, I noticed you asked something slightly more natural.

subdivide a bit a cube, rise it on Z, set rigid body "active", a bit of bounciness, "mesh" collision shape.

Justin of Unit圓d.Here is an example, based on what you said, if I got it right:.

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This is a good way of adding some automatic secondary actions to your animations. If we set the goal strength default to one, then only the ears will wiggle. We’ll add some quick rotation to the object with keyframes, and then increase the goal minimum. Then we’ll select the vertex group we just created and start playing with the various settings. Let’s go back to the soft body settings and turn the goal back on. Now we can lower the weight setting for our brush and paint the ears with a lower weight.

Here we will activate face selection masking, select everything with the a-key, and then go to weights, set weight, in order to give the selection full weights. We’ll create a vertex group and then head over to weight paint. We can define specific areas to get affected by the soft body via weight painting. If we go back to object mode we can see that the eyes no longer get separated. Let’s fix that in edit mode by selecting the eye edge loops, and bridging them together with the rest of the mesh. The eyes are falling out because they are not connected to the rest of the mesh. We can increase damping and bending to make her keep her form a bit better. If we remove the soft body goal, she will fall down and collide with the floor. If we hit play, Suzanne starts to wobble. Then we’ll select the ground plane and enable collisions for it. We have a simple scene with a ground plane and Suzanne, to which we’ll add the soft body in the physics tab. They can be really helpful in many things, for example in adding secondary actions to your animations and thus making your animations more organic. In this video tutorial we show you how to get started with soft body physics.